Maximilian Inzinger,
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is an Austrian type and graphic designer and a graduate of ÉCAL’s Master Type Design programme. His practice – Office of Personal Responsibility – moves between type design, graphic design, and digital work. With a background in graphic design – including studies at the Royal Academy of Fine Arts, Antwerp – Maximilian has developed typefaces, books, identities and occasionally websites for cultural and commercial clients such as Netflix, Aarhus School of Architecture, MuseumsQuartier Wien, and the Heidi Horten Collection. Alongside his studio work, he is active in teaching and lecturing, with engagements including a teaching assistant position at ÉCAL, guest lectures at institutions such as Pratt Institute in New York, and organizing workshops, among others at VERA skole for kunst & design in Copenhagen.
Norway: The Dark Horse (Typeface)Netflix, Bielke&Yang
OM Medina (Typeface)Other Means, Media Triennial
OM Guston (Typeface)Other Means, Philip Guston Foundation
Die Linie (Publication)Büro Nardin, Heidi Horten Collection
Shila Gaonkar (Wordmark, Typeface)Alexis Mark, Shila Gaonkar
Baby Blue’s Pencil (Typeface)Richard Kirkman
AT Realm v0.7 Update (Typeface)Approximate Type
Nie Wieder (Wordmark)Jugo Ürdens
Identity, Wordmark, WebsiteNOX
Identity, WordmarkHighAbove
How Things Come Together and Part Ways (Publication)Antonio Severi
Hypar Legacy (Publication)Oficina de Diseño Industrial de Eduardo Altamirano
Sorry Something Went Wrong (Graphic Design, Typeface, Campaign)Frank Maria
Type Bulletin 8 (Publication)ÉCAL
Planet2Planet (Identity, Wordmark, Campaign)Fiona Zanetti