Maximilian Inzinger,
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is an Austrian type and graphic designer and a graduate of ÉCAL’s Master Type Design programme. His practice – Office of Personal Responsibility – moves between type design, graphic design, and digital work. With a background in graphic design – including studies at the Royal Academy of Fine Arts, Antwerp – Maximilian has developed typefaces, books, identities and occasionally websites for cultural and commercial clients such as Netflix, Aarhus School of Architecture, MuseumsQuartier Wien, and the Heidi Horten Collection. Alongside his studio work, he is active in teaching and lecturing, with engagements including a teaching assistant position at ÉCAL, guest lectures at institutions such as Pratt Institute in New York, and organizing workshops, among others at VERA skole for kunst & design in Copenhagen.
Norway: The Dark Horse (Typeface)Netflix, in collaboration with Bielke&Yang
Ongoing AM Exner (Typeface, Identity)Aarhus School of Architecture , in collaboration with Alexis Mark
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OM Medina (Typeface)Media Triennial, in collaboration with Other Means
OM Guston (Typeface)Philip Guston Foundation, in collaboration with Other Means
Die Linie (Publication)Heidi Horten Collection, in collaboration with Büro Nardin
Wordmark, TypefaceShila Gaonkar, in collaboration with Alexis Mark
Baby Blue’s Pencil (Typeface)Richard Kirkman
AT Realm v0.7 (Typeface)Approximate Type, in collaboration with Kasper Pyndt
Nie Wieder (Wordmark)Jugo Ürdens
Sommerhotellet i Vang i Valdres (Wordmark)Sommerhotellet, in collaboration with Bielke&Yang
Identity, Wordmark, WebsiteNOX
Identity, WordmarkHighAbove
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How Things Come Together and Part Ways (Publication)Antonio Severi
WebsiteOrita, in collaboration with Officina
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Hypar Legacy (Publication)Oficina de Diseño Industrial de Eduardo Altamirano
SSWW (Graphic Design, Typeface, Campaign)Frank Maria
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Type Bulletin 8 (Publication)ÉCAL
Planet2Planet (Identity, Wordmark, Campaign)Fiona Zanetti