Maximilian Inzinger,
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is an Austrian type and graphic designer and a graduate of ÉCAL’s Master Type Design programme. His practice – Office of Personal Responsibility – moves between type design, graphic design, and digital work. With a background in graphic design – including studies at the Royal Academy of Fine Arts, Antwerp – Maximilian has developed typefaces, books, identities and occasionally websites for cultural and commercial clients such as Netflix, Aarhus School of Architecture, MuseumsQuartier Wien, and the Heidi Horten Collection. Alongside his studio work, he is active in teaching and lecturing, with engagements including a teaching assistant position at ÉCAL, guest lectures at institutions such as Pratt Institute in New York, and organizing workshops, among others at VERA skole for kunst & design in Copenhagen.
Norway: The Dark Horse (Typeface)Netflix (Bielke&Yang)
Ongoing AM Exner (Typeface, Identity)Aarhus School of Architecture (Alexis Mark)
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OM Medina (Typeface)Media Triennial (Other Means)
OM Guston (Typeface)Philip Guston Foundation (Other Means)
Die Linie (Publication)Heidi Horten Collection (Büro Nardin)
Wordmark, TypefaceShila Gaonkar (Alexis Mark)
Baby Blue’s Pencil (Typeface)Richard Kirkman
AT Realm v0.7 (Typeface)Approximate Type (Kasper Pyndt)
Nie Wieder (Wordmark)Jugo Ürdens
Sommerhotellet Vang i Valdres (Wordmark)Sommerhotellet (Bielke&Yang)
Identity, Wordmark, WebsiteNOX
Identity, WordmarkHighAbove
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How Things Come Together and Part Ways (Publication)Antonio Severi
WebsiteOrita (Officina)
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Hypar Legacy (Publication)Oficina de Diseño Industrial de Eduardo Altamirano
SSWW (Graphic Design, Typeface, Campaign)Frank Maria
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Type Bulletin 8 (Publication)ÉCAL
Planet2Planet (Identity, Wordmark, Campaign)Fiona Zanetti