Maximilian Inzinger,
Mail, Instagram, LinkedIn
is a brand designer and design engineer based in Copenhagen. His practice – Office of Personal Responsibility – moves between identities, books, printed matter and digital work. With a background in type design, he brings an attention to language, form and rhythm to the work – from the pace of a publication to the way a website moves and responds. Working independently and with studios such as Bielke&Yang, Alexis Mark, Other Means, Approximate Type and Studio Malpeso, he has developed typefaces, books, identities and websites for cultural and commercial clients including Netflix, the Guston Foundation, Aarhus School of Architecture, MuseumsQuartier Wien, Nikolaj Kunsthal and the Heidi Horten Collection. A graduate of ÉCAL’s Master Type Design programme, he also teaches, lectures and organises workshops, with engagements including a teaching assistant position at ÉCAL, guest lectures at Pratt Institute in New York and at VERA skole for kunst & design in Copenhagen. He is building meantime, a time-tracking journal.
Norway: The Dark Horse (Typeface)Netflix (Bielke&Yang)
Mindcraft Exhibition 2026 (Identity)Mindcraft Project (Alexis Mark)
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OM Medina (Typeface)Media Triennial (Other Means)
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Wordmark, Typeface, WebsiteShila Gaonkar (Alexis Mark)
AM Exner (Typeface, Identity)Aarhus School of Architecture (Alexis Mark)
OM Guston (Typeface)Philip Guston Foundation (Other Means)
Die Linie (Publication)Heidi Horten Collection (Büro Nardin)
WebsiteOrita (Officina)
Baby Blue’s Pencil (Typeface)Richard Kirkman
Nie Wieder (Wordmark)Jugo Ürdens
BY Sans + Serif (Typeface)Bielke&Yang
Sommerhotellet Vang i Valdres (Wordmark)Sommerhotellet (Bielke&Yang)
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How Things Come Together and Part Ways (Publication)Antonio Severi
Identity, WordmarkHighAbove
SSWW (Graphic Design, Typeface, Campaign)Frank Maria
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Type Bulletin 8 (Publication)ÉCAL
Planet2Planet (Identity, Wordmark, Campaign)Fiona Zanetti